Guest kit guide

This is the kit guidelines for guest groups attending the Viking Festival 2022. Participants that are members of The Vikings must follow the full society kit guides relevant to the period of the event.

Introduction

The Vikings Society primarily re-enacts the period c.800-c.1100 in the British Isles. As such, the Society’s authenticity focuses on the ‘Viking age’ in Britain, and on evidence that is relevant for Britain. We acknowledge that other groups and societies use a broader evidence base for their own shows, so we have put together this guest guide to give an easy overview of what we find acceptable, and not acceptable at Viking Festival 2022.
The authenticity team can be contacted via authenticity{at}vikingsonline.org.uk

Elegible kit

Based on the location of the event, kit from the following cultures are allowed. For those who are interested, links to the full society kit guides (where available) is given:
Anglo-Saxon (male and female): Anglo-Saxon male guide (also cover Anglo-Dane)
Welsh/Brythonic (male and female)
Anglo-Danish (male and female)
Hiberno-Norse (male and female)
Western Viking (male and female): Western Viking Male Guide, Western Viking Female guide

Non permissable kit

Kit from the following cultures is not permitted:
Norman
Byzantine
Frankish
Birka (Swedish),
Rus

Due to popularity in the reenactment world, we find it necessary to specifically mention the following items.

Kit not appropriate for the timeline
Rus and Birka caftans
Lamellar armour
hammer backed axes	Small axes with a hammer, secondary blade or spike on the back are characteristic of the steppes of what is now Russia. There is no evidence for their use in Britain.
Maille face aventails	Characteristic of 7th century Vendel period and Rus.
‘Chimney-pot helmets’	Characteristic Rus helmet, often with horse tail plume
Kite shields	This is a later development not seen until the 11th century
Coif	This is a later development not seen until the 11th century

Non permissable items

The following list details items which are not evidenced for the period and geographical region the event covers (i.e. the British Isles c.920). Please note that this is not a comprehensive list (we may have forgotten something) so if in doubt please ask. The list is split into five groups; modern items, personal kit, wargear, LHE equipment and designs. These items may not be used

Modern items

Modern items considered entirely modern and anachronistic.
Visible modern items	Modern items (e.g. glasses, watches, cigarettes etc) should not be used while in kit and during show hours. If you need a smoke/vape go to the modern camp site.
Earrings or piercings	All earrings and visible piercings should be removed or covered as far as possible.
Tattoos	Tattoos should be concealed as far as possible.
Varnished nails, makeup and dyed hair.	Nail varnish and makeup should not be worn. Avoid dyeing hair prior to the event, otherwise dyed hair should be concealed.
Modern footwear	Modern shoes should not be worn with authentic costume.
Excessively bright colours (anything ‘day-glo’)	Anything that looks like a highlighter pen, or that could be described as “day-glo” or “lurid” is almost certainly impossible to achieve with authentic dyes, and should not be used. If in doubt, please contact the authenticity team for advice.
Modern leather	Chrome-tanned leather, which typically has a shiny finish, and often in strong colours is wholly modern and may not be used. Leather should be veg-tanned. Black leather is specifically not allowed. No modern studs or metal work on any leather goods. No modern painted leather.

Personal kit

Inauthentic personal kit
Rough, unworked or ‘rustic’ antler	A large quantity of antler has been found, invariably smoothed down and usually decorated with crosshatching/ring and dot. Antler should not be left unworked or ‘rustic’. The antler crown should not be left prominent at the end of the handle.
Antler or horn tip toggles on any item	There is no evidence for these items, they are modern re-enactorisms. Shoe toggles should be made using a strip of leather rolled up and sewn.
Tall boots (i.e. higher than the sole is long)	The majority of period footwear consists of low boots or ankle shoes. Taller boots are at most mid-calf height; but not higher than the sole length.
Leather tunics and trousers	There is no evidence for leather garments from the period. A leather tunic may be worn hidden under maille to protect the fabric tunic. It should not be seen worn on its own, and if removing the maille in camp, also remove the leather tunic and hide it in a tent.
Two-hanger ‘kidney’ pouches	There is no evidence for these items, they are modern re-enactorisms.
Plaid and tartan	There is no evidence for combinations of wide checks and narrow lines which is characteristic of modern plaids.
Animal teeth or antler tines as pendants Belt-worn holders for drinking horns Brooches worn for decoration Trefoil brooches worn by men Animals skins worn as mantle/cloak Animal tails and faces as decoration on belts, helmets etc	There is no evidence for these items, they are modern re-enactorisms.
Large/multiple necklaces worn by men	When found in graves, male necklaces usually consist of no more than 3 beads and a single pendant.
Hats with wide fur trims	Wide fur trim (2”/50mm or greater) on hats is a much later fashion and generally Mongolian.
All-metal ‘S’ knives	This is an adoption of an Iron Age razor by modern smiths as a simple knife to make but with no evidence of use in our period.
“Troll Cross” pendant	Invented in the late 1990s by Kari Erland and not a period Viking pendant.
One piece horn combs without bone stiffeners	These are modern items that would not be possible to make during the period. Horn combs should have bone side plates as stiffeners.
Brooches as male neck closures	No apparent evidence for this in graves or manuscripts. Closures appear to be a combination of “bead & loop” or a tied/drawstring fastening.

Combat equipment

Inauthentic combat equipment
Obviously modern safety gloves	Gloves are mandatory safety equipment but must be discrete and look appropriate for the period i.e. covered in wool/linen or leather, no bright colours.
Gambeson or padded jacket worn on its own or visible under maille.	There is no evidence for the use of gambesons or dedicated padded under-armour before just before the Conquest.
Horned helmets	19th Century anachronism.
Fantasy movie helmets such as 'Beowulf'
Unsheathed weapons suspended from a metal ring, a leather loop or stuck through the belt	This is a re-enactorism deriving from the blunted weapons we use. No evidence for metal loops etc for holding unsheathed weapons on the belt.
Visible leather arm-guards	There is no evidence for these items, they are modern re-enactorisms, and should be hidden under the tunic. NOTE: This does not include bracers for archers.
Maille armour made from anything other than round or flat section steel (butted or riveted)	Period mail is made from round section steel/iron. Maille made from square-section spring washers is not allowed.
Armour made of horn, bone, wood, leather or sheet metal	The evidence shows that the only widespread armour in use during the period in Western Europe was maille.
‘Splinted’ metal limb armour	This is a Vendel period style of armour and does not appear in the British Isles at all or in Scandinavia beyond the 7th Century.
Too many weapons.	Carrying more than a polearm, primary weapon, secondary weapon and seax is unnecessary.
Very short hand-axe handles	Single handed axe handles should be approximately 24” – 36” in length.
Tiny axe heads	Axes with cutting edges smaller than 2.5”/63.5mm and a cutting edge to socket length less than 3.5”/89mm.

Living history equipment

Inauthentic living history equipment
Horn mugs	There is no evidence for these items, they are modern re-enactorisms.
Horn bowls and large horn spoons	These are modern items that would not be possible to make during the period. Small horn spoons are also inauthentic but are allowed for people who have difficulty using wooden spoons.
Bamboo/cane baskets	These are materials unavailable during the period.
Baskets with bark stripped off	As baskets are easily made and disposable items, it is unlikely time would have been wasted to strip off the bark.
Early Saxon ‘claw’ beakers	These are earlier than the period the event covers.
‘Pavillion’ tents with vertical sides	Pavillion tents with straight sides, held up by side-posts around a wooden cartwheel and no central pole, are not found in the British Isles in our period.
Stargazer or “cross” chairs	Earliest evidence for these appears to be 19th C African.
Cast metal cooking ware	All metal cooking pots or cauldrons should be riveted sheet iron/steel. No Victorian cast copper, iron etc or with feet.
Metal tent pegs	Period tents pegs are wooden not metal.
Round-topped ‘pirate’ chests	A single possible find from Birka is the only evidence that these may have existed. Further evidence would be required to accept them for “general” use.
Square chests made from blanket boxes	Chests should be constructed similar to the generic sea chest design. This should have sloping ends and sometimes sloping sides as well.
Relief carved sea chests	There is no evidence for these items, they are modern re-enactorisms.
Painted decoration on non-carved flat surfaces	Limited to no evidence for painted uncarved flat surfaces. Requires the Society LHE Thegn to give prior written approval to the design of any painting on a non-carved flat surface.
Painted relief carved surfaces	This is not a specifically unacceptable item, but as above, is one that requires prior written approval from the Society LHE Thegn for anything beyond slight highlighting of the carving.
Modern sharp axes	Sharp axes should not be obviously modern – for example they should not still have paint or varnish on, and all handles should be made of wood. Axes used in the LHE should follow one of the known common types.
Trelleborg wheels	There is no evidence for these in Europe earlier than the 17th century.
Rawhide and wood lanterns	These are late Medieval to modern in date, and there is no evidence of their use in the period.

Designs and techniques

Inauthentic designs and techniques
“Ramshorn” or “Running Dog” tablet braid pattern	This originates in 19th Turkey and the Balkans and was not a pattern used during the Viking period.
“Viking Compass” design	There is no evidence for this design before the 17th Century and appears to have been adopted recently as a “Viking” symbol.
Pyrography or similar burnt decoration	This is a more modern decorative technique and not present during the Early Medieval. Branding of individual letters or such to identify wooden utensils etc is acceptable, but not burnt decoration e.g. laser cut, pyrography etc.

Social structure

Focus	Very low status Level 1	Lower status Level 2	Higher status Level 3	Very high status Level 4
Description	Slavery was a normal part of early medieval life. Slaves could be captured or traded from abroad, but often came from the same country. In an age where crop failure and famine was not uncommon, if you couldn’t afford to feed yourself, it was better to commend yourself to someone else who was then duty-bound to look after you. The freedom to starve isn’t all that attractive… This class includes low-status dependents who were tied to their lord’s estate, with no property to feed themselves from. They exchanged their labour for his generosity. They could be skilled and trusted workers, but were “unfree”.	covers the majority of the population – Free men, tenant farmers, small holders, apprentices, regular craftsmen, local traders. Freedmen (leysingir) remained dependent on their lord, often for a number of generations, receiving board, lodging and clothing in return for labour. Free men varied widely in wealth and status. Some had their own estates and were responsible for their own households, but were unable to sell or bequeath their land, i.e. effectively tenants of their lord.	these are local Community leaders (or members of a leading local family). For raiding Vikings it is most likely the younger sons with no heritage prospects. Tenth century England saw considerable social change, with the emergence of a class of modest landowners – the thegnly class (effectively ‘gentry’ or minor aristocracy), each holding five hides of land (roughly 600 acres). Also covers any retinue of the local leader, Master craftsmen and regional traders.	This covers men of substance, who owned landed estates or long distance business and trading ventures. In England the spectrum of noble (eorlisc) men went from five-hide thegns through to the most powerful ealdormen. In Scandinavia this covers royal huscarls and the jarls. It also includes the warrior-retainers who followed these great lords as his companions and bodyguards. Since they ate at their lord’s table, accompanied him to court meetings and lived at his side, they would be dressed and equipped to the best of his ability, to reflect his importance and wealth.
Combat	Non-combatant: Water carrier. If an enemy warrior approaches a non-combatant character, they should run away.	Non-combatant: Slinger, Archer. If an enemy warrior approaches a non-combatant character, they should run away.	Combatant	Combatant
Weapons	N/A	Bow or sling is encouraged.	A round shield. Spear or hand axe is strongly encouraged. sword (with scabbard and sword belt). Long axes may be used, but are uncommon until the end of the century. A knife 6”-10” blade of Scandinavian design and vertical suspended may be used by Vikings. Broken back seaxes are distinctly Anglo-Saxon and Anglo-Danish.
Fabric colours	Fabrics should ideally be un-dyed natural colours (browns and greys for wool), no whites.	Fabrics should ideally be un-dyed natural colours (browns and greys for wool), no whites. Other colours should be light, muted, ideally faded or washed out.	Fabrics may be in relatively rich colours, but reds and blues should be light or muted.	Stronger colours can be used, but must be achievable by vegetable-dyeing methods – anything which could be described as “day-glo” is unacceptable.

Male/warrior kit guide

Focus	Requirements
Footwear
Footwear	Turnshoes, either with toggles (made from leather) or laces Socks are either naalbinded or of unobtrusive modern design. Hobnails or other grips on their soles is allowed as a modern safety feature, and should never be presented to the public as authentic.
Clothing
Leg-wear	Tight-fitting trousers optionally with Winingas. Baggy trousers are allowed for Vikings of higher status. They should be straight-legged, loose-fitting but not voluminous, and baggier from the knee upwards with a very wide crotch) must be worn in combination with winingas.
Tunic	The tunic should reach nearly to the knee when worn with a belt. The neckline should be closed with ties or a simple loop and bead arrangement.
Belt	belts should be plain leather, narrow and fitted with a buckle appropriate for the persona. It is encouraged to use leather no thicker than 2 mm, or 1 mm leather folded double and stitched. Stamped or embossed decoration on the leather is not permitted. Simple hand tooling may be used.
Cloak	A rectangular cloak, Secured with a penannular brooch, a disc-brooch or cloak pin. The method of fastening should be appropriate for the culture and status portrayed.
General	Fabric, colour and general state of clothing should be suitable to the status of the kit. All edges are properly finished, with no visible machine stitching. Tear and wear must be repaired or patched to prolong its life. Very high status would most likely hand down worn clothes to people below them.
Accessories
Jewellery	Belts, cloak pins, jewellery, cross or crucifix, Thor's hammer, disc brooches should all be in a material consistent with the status of the kit, and of design and decoration appropriate for the cultural group.
Satchel	A satchel or bag of suitable design is very useful and encouraged. It is far preferred to an oversized belt pouch.
eating utensils	A small eating knife up to about 4”-5” long, suspended vertically in a leather sheath. The handle should be wood, bone or worked antler (not rustic/natural antler). A wooden bowl, a wooden or pottery cup, and a wooden spoon, are strongly recommended.
general	Items on the Belt, such as pouches or other accoutrements, are consistent with the status of the kit, and of design appropriate for the cultural group and date. Personal accessories can include: a whetstone; flint and steel for lighting fires (with tinder). Modern valuables should be kept in a draw-string pouch or preferably a satchel. A number of pouches have been found from our period. They tend to be relatively small. Rather than having a large pouch, a satchel or bag is preferred.
general	Tools appropriate to the occupation and livelihood of the character portrayed. Items are consistent with the status of the kit, and of design appropriate for the cultural group and kit. Agricultural workers and craftsmen may have relevant tools. Higher-status characters are (level 3) Local community leaders (or leading local family), their retinue, Master craftsmen, regional traders. Many of these are due military service and will have war gear (see below). Merchants should have examples of trade goods, means of payment and ideally an understanding of trade and financial transactions.
War gear
Helmet	Anyone expecting to go on a battlefield, including non-combatants, MUST* have a helmet. A concealed helmet* underneath a hat or hood is strongly encouraged for non-combatants, and may be used by combatants. All combatants can use Conical helmets, while spectacle helmets are for Vikings only. High domed helmets and helmets with cheek-flaps are discouraged.
Gloves	Gloves are mandatory safety equipment for combatants. They must be unobtrusive and not of obviously modern appearance at 3 metres / 10 feet, and with sufficient padding to offer reasonable protection.
Arm guards	Any additional safety gear (such as arm guards or other protection), must either be hidden or unobtrusive in appearance.
Weapons	weapons are in a reasonable state of repair and will pass safety checks to be used on the battlefield. Weapons are tools, and you life would depend on them being in good order. For people of status, the weapons are also status symbols and as such would have been properly looked after.
Weapons	All weapons can be carried and stored in a safe manner, with scabbards, sheaths, covers etc, of design appropriate for the status, cultural group and date of the kit. While weapons used on the battlefield must be combat blunts, they should be presented as if they are in fact sharp. Arrows must be in a quiver. Sling stones must be in a bag or satchel. Swords must have a scabbard. short seax and langseax must have a sheath. hand axes should have a cover.
Shield	A round shield. Ideally the decoration on the face of the shield uses paint of achievable colour and a design suitable for the culture and date. Shield should be in a reasonable state of repair and will pass safety checks to be used on the battlefield.
Armour	While this is optional, any body armour must be appropriate for the status and date of the kit. style="vertical-align:top;"\|Any armour would be well looked after, missing links would be replaced before larger holes developed. A maille haubergeon (with elbow-length sleeves and mid-thigh length) is optional. a maille byrnie (with short sleeves, no more than waist length) may be worn.

Female kit guide

Focus	Requirements
Footwear
Footwear	Turnshoes, either with toggles (made from leather) or laces Socks are either naalbinded or of unobtrusive modern design. Hobnails or other grips on their soles is allowed as a modern safety feature, and should never be presented to the public as authentic.
Clothing
Leg-wear	Optional, to be worn under dresses for warmth: Tight-fitting trousers, Winingas, Knee length fabric socks.
Underdress	Long underdress, reaching the ankles and to the wrists. This is usually made of linen or fine wool. Underdress should be closed at the neck either with ties, or a loop and bead.
Overdress	A long overdress, reaching ankles and wrists is to be worn by all Christian characters, and any Pagan characters of lower status. This is usually made of wool, but can be linen. Overdress should be closed at the neck either with ties, a loop and bead or a small disc brooch.
Hangeroc	A Hangeroc can be worn by higher status pagan characters. This is usually made of wool. It is fasted by loops (sewing one continuous strap from front to back is not acceptable) and must be held closed with tortoise (oval) brooches (usually bronze). A separate “apron” may be attached to it.
Belt	Womens belts are optional, but when used they should be plain cloth or tablet braid.
Headgear	Christians: A wimple or veil is mandatory. Pagans: A simple headdress or Linen York style cap is optional.
Cloak	A rectangular cloak, Secured with a cloak pin, penannular, equal armed, trefoil or disc-brooch.. The method of fastening should be appropriate for the culture and status portrayed.
General	Fabric, colour and general state of clothing should be suitable to the status of the kit. All edges are properly finished, with no visible machine stitching. Tear and wear must be repaired or patched to prolong its life. Very high status would most likely hand down worn clothes to people below them.
Accessories
Jewellery	Belts, cloak pins, jewellery, cross or crucifix, Thor's hammer, disc brooches should all be in a material consistent with the status of the kit, and of design and decoration appropriate for the cultural group.
Satchel	A satchel or bag of suitable design is very useful and encouraged. It is far preferred to an oversized belt pouch.
eating utensils	A small eating knife up to about 4”-5” long, suspended vertically in a leather sheath. The handle should be wood, bone or worked antler (not rustic/natural antler). A wooden bowl, a wooden or pottery cup, and a wooden spoon, are strongly recommended.
general	Personal accessories can include: a toiletries set, keys, sewing kit; flint and steel for lighting fires (with tinder). Accessories can hang from the belt or be kept in a drawstring pouch, and for larger items in a satchel. If a belt is not worn Items should be carried in a satchel. Items hanging off brooches is a Swedish style. Items on the Belt, such as pouches or other accoutrements, are consistent with the status of the kit, and of design appropriate for the cultural group and date. Modern valuables should be kept in a draw-string pouch or preferably a satchel.
general	Tools appropriate to the occupation and livelihood of the character portrayed. Items are consistent with the status of the kit, and of design appropriate for the cultural group and kit. Agricultural workers and craftswomen may have relevant tools. Cooking is a craft. Higher-status characters are likely to do spinning, tablet weaving, embroidering, or looking after guests. Very high status: Only appropriate crafts are looking after guests, supervising many servants etc. They would not be cooking.
War gear
Helmet	Anyone expecting to go on a battlefield, including non-combatants, MUST* have a helmet. A concealed helmet* underneath a wimple, veil or hood is to be used by non-combatants such as water carriers.
General	female warriors must follow the guide for male/warrior kit above.

Example photos


This Viking thrall looks after his lord’s dogs – so at least he gets to eat plenty of meat. His tunic and trousers have clearly seen better days, but they are in good condition and neatly finished off. He has a small decorative neck-fastener, which may have been a gift for his good service. Instead of a belt, he has both dogs’ leashes tied round his waist, which should stop them straying too far. He is barefoot but will be used to running outdoors, especially when his lord chooses to hunt.	This theow wears a simple tunic. It is in good condition (it needs to be – he won’t get another for some time). The sleeves may have been shortened to remove decorative edging. He has a hood to keep the weather off. His belt is a simple cord (though he may be in trouble for letting it fray!) and he is bare-legged. The satchel behind him contains whatever he needs for the day. He may possess an undertunic and leggings, but the day’s work will keep him warm.	A household servant just finished chopping wood. He is wearing plain linen clothes and a small eating knife.	A craftsman working at a bead lathe. He is wearing plain linen tunic and trousers and a small eating knife.

A craftsman working on a carving for his lord. He is wearing a woollen tunic made from several pieces of fabric. His trousers have a window pane pattern weave, and are most likely worn out hand me downs supplied by his lord.	A tenant farmer, or local craftsman.	A craftsman in plain undyed fabric, with tablet braid neckline. He carries a knife and the belt has a strap end, so he has gathered some wealth. His work is being supervised by a wealthy warrior with a sword and silver bracelet.	A shepherd or perhaps A tenant farmer with his sling for defending his livestock, or perhaps a chance for some bird on the menue. He is wearing mainly undyed fabric.

A landed farmer who have seen a few rough years, either due to weather, or Vikings. His land possession means he will still be due military service.	A more well off landed Saxon farmer. A good walnut brown dye, and well made clothes.	A landed farmer (bondi) judging from the tone of the colours. These are not from the strongest dye baths, but closer to exhausting the bath. The fact the clothes are dyed means he must have access to some means.	A well off man who does not have to work the land, but have the means to afford a sword and the time to train how to use it. Rich red linen trousers with dark blue leg wraps and high boots – toggles on the outside, so perhaps they are riding boots. Sword and baldric richly decorated, and he wears both armrings and bracelets. The woollen tunic is brown walnut dyed, with a tailored fit, and neck collar and closing in weld yellow.

A warrior with sword and spear. Rich yellow and blue tunics, both with tablet braid, and a deep red cloak. He also possess a helmet.	A freeman with dark red tunic, sword and spear. He has a belt pouch for his fire steel and a money pouch round his neck. He is also carrying a rather large knife, note that this is vertically suspended.	A trader from Hedeby perhaps. Sea boots and dark blue leg wraps, baggy trousers in a green striped fabric. Decorated sword and belts with decorative fittings. Even the utility knife is decorated. He is wearing a red/purple decorative cloak – it is too small to be of much use other than showing off. The cloak is held with a highly decorated bronze penannular brooch, and he is also wearing a copper alloy bracelet.	This Englishman is clearly important – perhaps not a thegn, but certainly a trusted retainer and probably a landowner of some sort. His over-tunic is made from patterned wool and his under-tunic (dyed a pale yellow) is just visible. His hood is undecorated and practical. He wears wyningas, though his turnshoes aren’t visible. He wears a small silver or pewter cross. His sword (Type V, the ‘Gilling’ style) is characteristically English. At his belt he has a small coin-pouch, a whetstone and his seax; unusually, the sheath is not decorated.

Here we have a jarl's huscarl with bright blue and red overtunic, a yellow undertunic with tablet braid trim and green trousers. He is well equipped with maille shirt and helmet - it could be his own, or belong to the jarl. He has a spear and shield, and highly decorated sword with wire wrapped hilt. He is wearing finger rings and a silver bracelets.	A household retainer in a herringbone tunic with yellow trim. He is wearing legwraps held in place by a fine tablet braid, and his dark blue cloak is held by a disc brooch. Around his neck is a pewter or silver cross, and on his finger a ring. He is carrying a Seax - unusually the sheath is not decorated. He also has a smaller knife, and an axe with wooden cover. From his belt is hanging a draw string purse. He is armed with a bow and arrows, perhaps a well paid marksman.	Here we have a Viking Jarl, wearing a deep blue tunic with brocaded silk trim. His purple (red warp, blue weft) cloak is lined with a light purple and has a fur edge. He is wearing dark blue leg wraps and boots. His belt has a silver buckle and strap end, and his sword baldric has metal fittings, and the sword has a wire wrapped hilt. He is also wearing silver and gold arm rings and a silver chain.	Here we have a late ninth- or tenth-century ealdorman. Both of his tunics are embroidered at the cuffs, and his cloak is not only richly dyed but decorated with gold braid, and held in place with a large silver disc-brooch. A metal circlet mark him out, while members of his household attend him.

This lady is wearing a very low status dress. It is made up of various bit of old clothing. Around her waist is a belt made of rope, and she has no other visible belongings. However, she is fortunate to own a pair of shoes. Her dress is tied closed with wool threads.	This lady is wearing a long under and over dress. The natural/earthy colours show she is of lower status. The belt she is wearing is of tablet weave. From this she hangs her snips, presumably these are needed most throughout the course of the day. She is also wearing nalbinded socks and turn-shoes. In her shoulder bag she carries the rest of her belongings that she might need or owns. As she is wearing no head covering, she is most likely a Viking.	This Viking lady wears a brown/grey herringbone under dress fastened with a simple bead. Her hangeroc is a dark blue wool. This has been decorated with a simple tablet braid line of decoration at the top. All hems are neatly finished. The green stitching on the outside is just added decoration. She wears a tablet braid belt from which is hanging a simple knife and a small bag of sprang construction. As the weather is also cold, she is also wearing nalbinded mittens. She has a head-covering of a wimple held on by another length of tablet braid, on top of this is a headscarf.	This 9th Century Viking lady is wearing a green underdress with a yellow hangeroc (no separate apron). At her shoulders are two tortoise brooches. These have also been used to pin the cloak in place. The lady is showing off most of her wealth through the necklaces of beads that she wears. The beads in this picture are carnelian and quartz with silver pendants. They will have most likely been imported from the Far East, possibly along with the silk that decorates the top of the hangeroc, just underneath the tablet braid. The close-up of the belt shows how vibrant the colours are. From the belt is hanging a utility knife. Hems are neat and well finished. No head covering, as this is not essential. In the first photo she is wearing an orange shawl, and in the second, a purple lined cloak with fur edging.